茅盾论小说中的人物描写及其当代意义

On the Characterization in the Novels by Mao Dun and Its Contemporary Significance

随着时间的推移和岁月的冲刷,茅盾及其文本似乎渐渐离我们远去而沉入历史,然而,作为一种精神文化资源,只要我们去挖掘,40卷本的《茅盾全集》仍有许多值得挖掘的精神和思想,即便是在当今的时代风尚和审美选择下,茅盾的从创作到理论的某些方面仍有当代意义。仅从以往较少注意的小说中的人物描写引申和生发开去,描述茅盾的主张并阐释其在当代的借鉴和启示意义,可以发现茅盾的观点不仅正确,而且具有意义。特别是联系当代乃至当下的小说创作如何对待人物、如何描写人物以及在此所存在的种种问题,重温茅盾的观点,更有借鉴和启示意义。

Over time and years of erosion, Mao Dun and his texts seem to go away from us and gradually sink into the history; however, as long as we dig, there is still much worth tapping in spirit and ideology of 40-volume Complete Works of Mao Dun as a spiritual and cultural resources. Even in today＇s fashion and aesthetic choice, some aspects of Mao Dun from creation to the theory are still have contemporary significance. This paper begins with the extension and development of the characterization in novels which is paid less attention to in the past, describing Mao Dun＇s views and then explain its contemporary reference and enlightenment. Today we can find that Mao Dun＇s view is not only correct, but also has significance. We will get more learning and enlightenment through the review of Mao Dun＇s view,particularly in connection with contemporary novels and even today＇s novels in which there are such problems as how to deal with characters and how to describe characters.