安格尔与鲁本斯对女人体的不同表达

On the Different Expression of the Female Bodies by Ingres and Rubens

美的本质是恒久不变的,但美的形式是有变化的。艺术的历史是一个美的演变历史,是以无尽的、各种各样美的形式呈现的历史。不同艺术流派的表现手法不同,对自然的感受也存在不同的体悟,但是艺术的最终目的都是创造出高于现实的理想境界,从而对美的理念进行新的诠释。崇尚巴洛克艺术风格的鲁本斯和追求新古典主义风格的安格尔,在对女人体表达上具有迥异的风格。他们对女人体的绘画风格与特征、人物题材的选取、创作理念与艺术手法的运用,都有着自己的理解与追求。在创作中他们善于运用各自高超的技法将素描和色彩配合得精致神妙,从最平淡无奇的事物中找寻出有益的东西,给予观者美妙而又深刻的感官印象。

Essence of beauty is immutable, but there is a change of the beauty of form. History of art is a beautiful evolution, and is endless and various forms of presentation of the history. Though the represen- tation of the different schools of art is different, there are different sorts of understanding in the feelings of nature. The ultimate goal of art is to create the ideal than a reality, and thus give a new interpretation to the concept of beauty. Rubens advocating Baroque Art style, together with the pursuit of Ingres of neo- classical style, has a different style of the expression of the female body. Their female body painting style and characteristics, the selection of character themes, the creative ideas and artistic use, all have their own understanding and pursuit. They are good at using their superb technique in creating sketches and colors match exquisitely and wonderfully so that from the most prosaic of things they can find out useful things to give the audience a wonderful and profound sensory impression.