摘要
《孔雀》将温馨情境尽力拼合,运用冷峻的画面震慑观众,叙事沉稳细腻,显示出独到的哲理性意蕴,提高了作品的审美品质。影片将时代伤害过度放大,塑造一群丑陋的中国人形象,图解生活,概念化地塑造人物,缺乏人物与环境的对应性、真实性及逻辑性。
" Peacock" endeavors a warm situation, and uses the cold shock to awe the audience. Its delicate narration shows the unique philosophical implication and improves the aesthetic quality of the work. Film over -amplificates the era hurt, shaping the image of a group of ugly Chinese, graphic life, conceptualized to shape the characters, and it has the lack of correspondence, truth and logic between people and the environment.
出处
《山西广播电视大学学报》
2012年第1期84-86,共3页
Journal of Shanxi Radio & TV University