摘要
侗戏在情节上表现出明显的异质性即柔化冲突,它为侗戏中的悲剧故事赋予了更多的柔和因子。侗戏这种柔性之维的审美价值取向的根源主要在于侗族内部的萨神信仰和外部的农耕社会。对侗戏这一审美价值取向的根源溯源,有助于从美学的哲学高度认识侗族,对其和谐生活与自身民族先进文化的现代性构建具有现实和学术意义。
The plot of Dong drama showed apparent heterogeneity that is to memorate contradiction,which giving tragedy story of the Dong drama more gentle factors.The main reason about gentel aesthetic in the Dong drama is lying in the faith of the Sa from in- ternal Dang ,the other out resean is farming society. Researching about the aesthetic in Dong drama contributes to recognize Dong from the hignly philosophy ,and it have significance in reality and academic which constructing of the hamoly life and nation ad- vanced cuture.
出处
《兴义民族师范学院学报》
2011年第5期33-37,共5页
Journal of Minzu Normal University of Xingyi
关键词
侗戏
悲中之柔
根性溯源
Dong drama
Softing in tragedy
Searching for roots