从中国画“六法”到陶瓷新彩装饰

From the"six Methods"of Chinese Painting to New Color Decorative Ceramic

中国画基本上是运用线条与墨色相结合的手法,达到"形神兼备"的艺术效果。在清末,新彩的出现,全新地诠释了釉上彩装饰,它的表现形式结合了中国画的创作特点及创作题材,较其它陶瓷装饰色彩丰富多样,装饰效果强。中国画与新彩装饰相互渗透、相互影响,在新彩装饰成长与创作的过程中,既受到了中国画的传统思想影响,又以崭新的表现形式形成了陶瓷新彩这门别具特色的装饰艺术。

Basically, Chinese painting is a combination of line and Chinese ink, to the artistic effect of ＂shape and expression＂. In the late of Qing dynasty, new color was appeared as a new annotation of the glaze color decorative. Its manifestation combines the feature of creating and subjects in Chinese painting. Thus,it＇ s better than others on the color decorative and has a strong effect. Chinese painting and new color decorative are infiltrate and affect mutually. The creation and development of new color decorative is, not only influnced by Chinese painting＇ s ,but also it comes into be a new art of colors ceramic with a brand new presentation.