钩沉与还原:中国现当代艺术学史的多视域整合

Exploration and Reappearance:A Multi-Visional Integration of Chinese Modern and Contemporary Art Science History

本文以史学研究中通常采用的钩沉与还原的多重叙史路径,来对中国现当代艺术学史的发展脉络进行挖掘与整理,目的是通过这种叙史与研究方法,力求揭示中国现当代艺术学史包含在文学理论、文艺学、美学、文化史学,以及各门类艺术史论之中特有的呈现方式,以此勾画出中国现当代艺术学史的整体面貌,进而把握中国现当代艺术学史在其发展进程中具有的内在规律的贯通性,以建构起中国现当代艺术学史的书写与史学研究的基本框架。

With multiple methods of history narration stressing exploration and reappearance, in this paper, we explore the evolvement of modern and contemporary Chinese art science history. We are trying our best to display its particular representation hidden in literal theory, aesthetics, cultural study, and various kinds of art subjects. We hope that we could paint a panoramic view of modern and contemporary Chinese art science history, and further establish the basic structure of historical research and writing of it.