新世纪中国武侠电影的审美流变及其焦虑性诉求

Aesthetic Transformation and its Anxious Appealing of Chinese Martial Film in New Era

作为极富民族特色和能体现传统文化精神的一种类型电影,新时期的中国武侠片,往往一经问世,便会立即引起来自各个不同方面的关注,出现各种不同的文化阐释,甚至互相抵牾的评论,其中有褒扬的,有批评的,网上也不乏骂声连篇。毫无疑问,中国武侠片是中国电影走向工业化的一个重要方面军,新世纪以来的中国武侠片,在审美形式上的创新是毋庸置疑的,但也随之而带来了一些不尽如人意的流俗现象。本文试图绕开各种悖论式的文化批评,尽量客观地从审美的视角分析新世纪武侠片在转型期间出现的新特点,关注在国际传播语境下中国武侠电影的"泛美学"化倾向,并指出其审美流变背后的内在焦虑性诉求。

As a film with distinctive national characteristics and expressing traditional culture, Chinese martial film in new era draws much attention from all walks of life the moment it distributes. There is no doubt that Chinese martial film plays a significant role in Chinese film industrialization. In new era, Chinese martial film does innovate a lot in aesthetic form. In this paper, .we try our best to objectively analyze new features of martial film in new era, and pay attention to the tendency of expensive aesthetics of Chinese martial film in the international communication context, and then propose that there is an anxious appealing hidden in its aesthetic transformation.