摘要
新浪潮电影的"现代性",是"发声"现代性——有声和彩色电影时期的现代主义电影。如果说先锋派电影是电影默片时期的现代主义电影运动的代称,"新浪潮"电影则可以说是电影进入有声片时期后所产生的现代与后现代相交融的电影运动的代称。"新浪潮"电影拼接出了一张"现代"和"后现代"相互交接与滲透的完整版图。在时间和空间上,"新浪潮"电影可以说既是二战后全球性现代主义思潮在电影艺术上的表现,又是后现代思潮的先声在电影艺术上的反映。法国影坛上出现的"新浪潮"运动及其后引发的世界各国的新电影运动,对世界影坛产生了巨大影响。这场运动不但为西方世界留下了宝贵的电影文化遗产,影响还波及许多国家。这一电影运动的本质是一次要求以现代主义精神来彻底改造电影艺术的运动——从承认电影的独立自在性,到为电影寻找新的表现规则,它的出现不但将西方的现代主义电影推向了新的高潮,还是电影被发明以来,追寻电影本体特性的从实践到理论的一次有力量的运动——一次真正确立电影独立地位的现代运动。
The modernity of new fashion film is that of " vocalizing". It is the modernist film in the period of film taking on " voice and color". It was said that avant - garde film stood for modernist film movement in " silence film" period. Then we could say that new fashion film stands for modernity and post - modernity in later advanced film period. " New fashion" interfaces modernity and post -modernity. Either intime or in space, new fashion film is a represen- tation of global modernity as well as post - modernity thought in film art after the Second World War. New fashion film movement rising in French film circle and new film movement it led in other countries exerted a great influence upon world film circle. The movement left a precious film cultural inheritance in western world and affected a lot in other countries. The essence of the movement is to thoroughly innovate in film art. It is a modern movement to truly establish the independence state of film.
出处
《艺术百家》
CSSCI
北大核心
2012年第1期68-76,106,共10页
Hundred Schools In Arts
基金
上海市重点学科建设"电影学"资助项目(项目编号:S30103)阶段性成果之一
关键词
电影艺术
新浪潮
现代性
后现代性
新表现规则
电影本体
艺术特性
Film Art
New Fashion
Modernity
Post - modernity
New Representational Rule
Film Noumenon
Artistic Characteristic