从楚调汉戏到京剧崛起——在第六届中国京剧艺术节学术研讨会上的发言

From Chu-Tune Han Opera to the Rising of Peeking Opera:A Speech at the Academic Seminar of the Sixth Chinese Peeking Opera Art Festival

京剧作为上世纪以来中国戏曲剧种中最具代表意义的"国剧",其王者之风、大气之象已经为大家所公认。因此,探讨京剧艺术的直接渊源,是一个不容忽视的大课题。1990年底,由中华人民共和国文化部牵头,在首都北京举行了纪念徽班进京200周年的盛大活动,其深远影响波及海内外。但是如果事到如今,我们还不将汉剧艺术史上的西皮二黄会师和徽汉在京朝的成功合流,作为京剧发展具备里程碑意义的标志性文化节点来回顾、总结、认定,甚至予以一定程度上的表彰的话,委实就带有几分数典忘祖的意味了。如果没有汉剧艺术在西皮二黄声腔上的贡献,如果没有汉剧在语音、剧目和一代代汉剧表演艺术家的巨大贡献,也就没有京剧艺术的迅速崛起。

As a ＂ national opera＂ typically standing for diversified forms of classical Chinese opera since the last century, peeking opera has been acknowledged to have a sense of an emperor or a king. Therefore, it is an attention - demanding issue to explore its direct historical foundation of peeking opera art. In the end of 1990, led by ministry of culture, a grand festival for 200th anniversary of Hui opera entering into Beijing was hold in this capital city, which exerted a great influence upon the whole world. It is a must for us to review, conclude, define, an even to certain extent praise that the successful confluence of Xipi and Erhuang and that of Hui tune and Han tune was a milestone of peeking opera evolvement.