摘要
胡祗遹一生虽不曾染指杂剧创作,但他对杂剧提出了自己的见解。强调和推重杂剧的教化功能,是其杂剧理论的核心内容,围绕这一核心观点,他又提出了"九美说"和要求杂剧内容的广与奇的主张。
Hu Qiyu never wrote a play throughout his life ; however, he had his own opinion upon Yuan drama. However, he paid much attention to the educational function of Yuna drama, surrounded the mind he further proposed discourse upon ＂nine beauty＂ and suggested that it was necessary for Yuan drama to become more miscellaneous and amazing.
出处
《艺术百家》
CSSCI
北大核心
2012年第1期112-115,180,共5页
Hundred Schools In Arts
基金
2010年度国家社会科学基金艺术学国家重点项目"中国古代戏曲理论史通论"(项目批准号:10AB002)阶段性成果
国家"985工程""汉语言文学与民族认同"哲学社会科学创新基地项目阶段性成果之一
