摘要
王汉伦在其从事的电影事业中逐步形成了自己的女性观,并努力将其付诸表演实践。只是电影表演终究是一种虚幻的表达。"脂粉市场"中被制造和生产的"新女性",归根结底是资本意识形态的营销策略。电影、电影女明星及其表演,不过是资本与现代性轰然前行当中转瞬即逝的幻景。自然,性别的现代文化意义无法从现代电影影像中得到正解。
This paper makes a survey of Wang Hanlun^s lightenment in marriage and women＇s liberation. Wang ＂social films＂ and discusses their sense of en- Hanlun formed her own view of women in her film life, and strived to put it into performance. After all, the film shows only an illusory expression. ＂New Women＂ produced in the ＂Cosmetic Market＂ are ultimately a marketing strategy of capital ideology. Film, film actresses and their performance are only a mirage of capital and modernity. Thus the modernization of gender cannot get a right solution in the image of modern films.
关键词
王汉伦
社会教化
婚姻自由
妇女启蒙
性别现代化
Wang Hanlun
social enlightenment
freedom of marriage
women＇ s enlightenment
modernization of gender
