雕塑与空间三题

Three Dimensions between Sculpture and Space

一、人类原始空间思维与原始雕塑 空间与人的生存息息相关。如海德格尔所说：＂生存是空间性的＂。雕塑的空间永远不是外在于人的,而是具有突出的人文性质,雕塑就是生命对空间的占有。美国学者诺伯格·斯卡而兹曾提出五种空间概念：整合了人和自然有机环境的实有空间;使人认同其自身的知觉空间;能够被人思考的认识空间;人所隶属的包含了整个社会及文化整体的生存空间;能够提供描述其它空间工具的逻辑空间。最初原始人的雕塑创作以自我本位的、不断扩大的知觉空间为基础。通过直观地感受人的自身生命来进行雕塑创作,

Space and human existence are closely related, just as Heidegger said, ＂Existence is of spatiality＂. The space of sculpture never exists without humans, but instead it has prominent humanism, showing humans’ possession of space. The social investigation and research findings on primitive thought show that to primitive humans space is specific and perceptual, nothing but human body and the range of activities that human senses can reach. Lévy-Bruhl pointed out that in the minds of primitive humans they think space possesses the special attributes of their own and that they will share the mysterious powers that they display in space.