期刊文献+

浅谈李渔“结构第一”戏曲理论对其小说创作的影响 被引量:1

On the Influence of Li Yu's "Structure First" Opera Theory on His Novel Creation
下载PDF
导出
摘要 李渔是清初著名文学家,他提出的"无声戏"小说观念,使得小说戏曲关系更加明确,对理清小说戏曲关系作用至大。在本文中,笔者欲结合前人研究,浅谈自己对于"无声戏"小说观念的理解以及李渔"结构第一"戏曲理论对其小说创作的影响。 Li Yu was a famous writer in the early Qing Dynasty. The novel concept of "Silent Drama"he proposed made the relations between operas and dramas more clear,and was important to clarify the relationship between novels and operas .In this paper,the author wants to talk about my own points about the novel concept of "Silent Drama" reference to the previous views,and the influence of the concept of "structure first "to his novel creations.
作者 万小洁
机构地区 华东师范大学
出处 《科教文汇》 2011年第32期50-51,共2页 Journal of Science and Education
关键词 李渔 无声戏 戏曲理论 小说创作 Li Yu silent opera opera theory novel creation
  • 相关文献

参考文献4

  • 1李渔.无声戏[M].北京:大众文艺出版社,2002.
  • 2李渔.闲情偶记[M].江巨荣,卢寿荣,注上海:上海古籍出版社,2005.
  • 3徐文凯.有韵说部无声戏[M].北京:中国传媒大学出版社,2010.
  • 4徐大军.清初"无声戏"小说观念的理论渊源与内涵发展[J].2007(85).

同被引文献5

引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部