抗战背景下的话剧创作

Dramas in China during the War agaisnt Japanese Invasion

本文以构成上世纪40年代话剧主要创作语境的"战争与政治"为考察视点,力图洞悉该时期话剧创作与其所处时代的互动关系。同时认为,当时话剧创作思潮的流变本质上是剧作家对人的关注方式的流变,体现了"五四"时期确立的以人的精神为核心的现代戏剧观念。

Taking as a perspective ＂war and politics＂ that constitutes the essential context of dramatic creation in China during the 1940s, this paper is meant to explore the interactions of playwriting and the times it occurred. The author holds that changing flows of playwriting during the 1940s was essentially a product of changing perspectives by which playwrights concerned themselves with humanity. It was a manifestation of the May-Fourth notion of modern drama that takes the spirit of humanity as a core.