摘要
乐器演奏的终极目标就是通过调动观赏者的审美体验,激发人的想象、联想等心理活动,并使演奏者从中窥视自己的感知,从而达到和顺之美。本文以琵琶演奏为例对这一过程进行了描述与论证,并指出,琵琶演奏者应根据作品的内容融入自己的想象并能辅之以符合作品意图的肢体表演,以真实、生动、自然、协调的表演将观众带入到作品的审美意境中。
The ultimate objectivity of music performance is to stimulate the audience's aesthetic experience,such as the psychological activities of imagination and association,thus resulting in a kind of harmonious beauty by enabling the performers to feel their own perception during performance.This paper makes a tentative study of the process of pipa performance,and points out that only through integrating self-imagination into the music works and appropriate body movements into the performance,can the performers lead the audience into the beautiful aesthetic conception of the music works with a sincere,vivid,natural and adequate performance.
出处
《贵州大学学报(艺术版)》
2011年第4期83-89,共7页
Journal of Guizhou University Art Edition
关键词
琵琶演奏
音乐意境
情感体现
pipa performance
music conception
emotional expression