新时期以来童庆炳对文学审美特征问题的探索

On Tong Qingbing’s Exploration of Literary Aesthetic Features

童庆炳的文学审美特征论认为审美(情感的评价)是文学的根本特征,它质疑并纠正了以形象为文学本质特征的理论偏颇。审美特征论目的在于寻找文艺创作公式化、概念化的根源,并从学理上解决文艺与政治的"不从属"关系问题,使文学回归审美的、情感的诗意的空间。文学审美特征论在学术上体现出对话与整合之路,它一方面吸收了前苏联审美学派和"美在关系说"的思想精髓,而且继承、发扬了中国古代文学理论重情的优良传统。

The aesthetic features theory of Tong Qingbing considered that aesthetic（emotional evaluation） was the most fundamental features of literature.Tong corrected the theoretical deflect that takes images as the essential literary feature.He thought that the purpose of aesthetics was to wanted to find out the origin of formulation and conceptualization of modern Chinese literature,which dissolved an important problem that literature was not considered to be subordinate to politics.This literary aesthetic theory expressed a cobination of dialogue and integration.It took much from USSR aesthetics and carried on and carried forward the fine tradition ancient Chinese literary theory had on emotions.