摘要
在中国诗学关于言、意、象三者之论述中,意作为价值理性而成为根本,言、象则作为工具和诗的载体。在处理言、意、象关系中,将立意延伸为"兴趣"和"味",对后代的诗学理论产生了深远影响。在西方诗学理论中,借隐喻以达原初、借隐喻追求真理、借隐喻重构现实的主张,也是从具体到抽象到阐述真理和精神的过程,从这一层面看,中西方诗学主张既有相互契合的一面,又有其各自不同的文化追求。
In the analysis of words,meaning and presentation in Chinese poetics,meaning is often regarded as the fundamental while words and presentations are taken as tools and a means for presenting poems.Mysticism,with its handling of the relations among the words,meanings and presentations,exerts a major impact on the theories of poetics,as it expands and divides the meanings into "interest" and "taste".In the Western poetics,the endeavor to seek original meaning,truth and a reproduction of reality through metaphor is also a process in which the specifics give way to the abstract while truth and spiritual beliefs are presented.In the same vein,Chinese and Western poetics share some basic principles although their respective cultures are given different weight.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2011年第6期110-114,共5页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
江苏省教育科学"十一五"规划项目(Y-b/2009/005)
关键词
言
意
象
神秘主义
隐喻
喻义解经法
words
meaning
presentation
mysticism
metaphor
interpretation of scripture through metaphors