《神话的世界》:郭沫若早期文艺思想的一面镜子

Myth World: A Mirror of Guo Motuo's Early Literary and Art Thought

《神话的世界》,作为郭沫若唯一一篇以神话与文学关系为中心话题的文艺论文,其特殊性和典型性不言而喻。它既是郭沫若早期文艺思想的集中体现,也是诗人正面探讨神话与文学关系的重要文献。结合郭沫若同时期各类创作的实际,进入《神话的世界》,在神话的概念,科学与神话、民俗的关系,异域神话资源整合等有价值的命题上均显示了郭沫若不拘泥、不困囿的开放心态。对《神话的世界》进行整体研究成为考察郭沫若早期文艺思想中,有关神话思维与诗性特质关系问题的重要依据。

Myth World is Guo Moruo＇s only literary paper which takes the relations between myth and literature as the central topic.Its particularity and the typical nature are self-evident.It not only manifests Guo Moruo＇s literary art thought in his early time,is also the important document about the poet＇s direct discussion on the relations between myth and literature.According to the reality of Guo Moruo＇s contemporary creation,Guo Moruo＇s objective and unbiased attitude in Myth World to the valuable propositions such as the concept of myth,the relations among science,myth and folk custom,the conformity of foreign myth resources and so on demonstrates that Guo Moruo never rigidly adhered to the popular conclusion.Deep analysis on Myth World is the important basis of inspecting Guo Moruo＇s literary and art thought about relations between his myth thought and special characteristics of poems in the early time.