威廉·布莱克诗歌的泛神主义倾向

The Pantheistic Interpretation of Flora and Fauna Images in William Blake's Poems

威廉·布莱克接受了多神论向一神论过渡的观点,同时倡导从一神论向泛神论的回归,并在这种逃逸中寻找诗歌的灵感,通过大量含混的诗歌修辞构建出复杂的多重意义体系,并在深层结构中将二元对立中的主从关系进行了颠覆与解构,颂扬有差别的具体神性,属于后一神时代的泛神论,体现出谨慎的建构特征。布莱克诗歌中动植物意象的泛神主义解读,暗示并激发了诗歌中具有前瞻与预言性质的独特诗性逻辑,对于现代主义诗歌产生了深刻的影响。

While accepting the inevitable transition from polytheism to monotheism,William Blake advocated its subversive return,and found in this escape the clues to construct his poetic images.His poems built with poetic ambiguity a complex multiple-meanings system featuring the deconstruction of the traditional master-slave relationship between images to emphasize the variety of Devine characters.As a result,the animal and plant images in his poetry could be interpreted according to his unique pantheistic doctrine,suggesting a prophecy and foreseeing nature which has a profound impact for poetic modernism.