摘要
"堆花"是昆曲《牡丹亭.惊梦》中群体表演造型。"堆花"形成伊始,其名号与扮相有严格规定,表演形式亦有严格规范。近现代以来,因剧本改编及艺术定位有别,世俗审美及受众心理变化,"堆花"表演处于不断衍化中。12花神男女参半多改为女扮,上场花神不再拘泥于12人,众花神不仅见于《惊梦》一折,且出现于其他场次中。
Twelve flower gods is a kind of group performance in Kunqu Peony Pavilion.At the beginning of its formation,name and cosmetic of the roles have strict rules,and the strict standard also carried out in performing forms.Because of the play adaptation and the audience's aesthetic thought changes,Twelve flower gods performance has been developed continuously.They are not limited to the twelve persons who are all mainly performed by equal genders amount of Flower Gods and Goddess.The performance is not only performed in the Breaking the dream,and appeared in other parts of the play.
出处
《艺术探索》
2011年第6期107-109,143,共3页
Arts Exploration
关键词
《牡丹亭》
“堆花”表演
规范
衍变
成因
Peony Pavilion
twelve flower gods performance
standard
development
