摘要
"子见南子"本来是无关情爱的礼节性拜见,但由于其本身存在着导向情爱想象的意义结构,在王充、朱熹等人的谈论中早已与敏感的男女情事相关。现代以来,林语堂的独幕剧《子见南子》以南子为中心展示了一种个性自由、男女平等的现代精神;胡玫电影把"子见南子"演绎为情爱故事暗合了来自西方文化的"史诗性"特征,对中国文化及民族史诗的重构具有积极意义。应该从宏阔的文化视野出发理解"子见南子"的意义。
The story Confucius Saw Nan-zi involved a meeting in respectful way without any sexual passion. But the story related to sexual imagination early in Wang Chong（27 - 96） and Zhu Xi （1130-1200） ＇ s opinion. In modern rewriting, one-act play Confucius Saw Nan-zi by LIN Yu-tang showed off equality of men and women by title-role Nan-zi. However, the film Confucius directed by Hu Mei adapted the story in a post-modernly love imagination. The love imagination about Confucius Saw Nan-zi had advantage to modern Chinese culture.
出处
《齐鲁学刊》
CSSCI
北大核心
2012年第1期134-138,共5页
Qilu Journal
基金
国家社会科学基金项目(10BZW028)
关键词
子见南子
情爱想象
史诗格局
Confucius Saw Nan-zi
love imagination
epic pattern
