摘要
视觉文化时代,视像取代语言成为人们文化生活中的首要叙事载体。传统的文学叙事虽主动或被动地以"审美泛化"的方式和注入叙事元素的手段,在传播媒介或日常生活中找到了新的栖身之所,但作为一种独立的叙事形态,文学叙事却在视觉文化语境和消费文化的共同挤压下,不再对社会历史进行艺术提炼、不再对道德立场顽强坚守、不再对理想之光艰苦追求,从而导致自身因降低了美学高度而最终走向"无美可审"的尴尬境地,其审美隐忧值得关注。
In the visual culture times,the image has replaced language and become primary narrative carrier in our cultural life.The traditional literary narrative has found a new shelter in the media or daily life in the manner of "aesthetic generalization" and ways to inject narrative elements actively or passively.But as an independent narrative form,literary narrative is pressed together in the context of visual culture and consumer culture,it no longer refines artistically to the social history,no longer adheres tenaciously to the moral stance,no longer pursues hardly to the ideal light,thus leading to a "no aesthetic" embarrassing position because of reducing the height of aesthetics,the aesthetic worries are worth concerning.
出处
《佳木斯大学社会科学学报》
2011年第6期61-63,共3页
Journal of Social Science of Jiamusi University
基金
佳木斯大学人文社会科学面上项目(W2010-168)
关键词
视觉文化
文学叙事
审美
visual culture
literary narrative
aesthet