摘要
本文从"舞剧本体"的创作理念开始谈起,回顾了中国舞剧从20世纪50年代以来的创作历程,尤其是现实主义舞剧创作的理论与实践对中国舞剧创作所产生的重要影响。作者由此推衍至舞剧《红船启航》的创作:对传统舞剧编创手法的继承,及对舞剧语言、形象的创新。《红船启航》是对中国舞剧创作中继承与创作的一次探索实践。
The essay reviews the creative development of Chinese dance dramas since 1950s based on creative theory of ＇dance drama being＇,especially the important effects of creative theory and practice of realistic dance drama on the production of Chinese dance drama.The writer then analyzes the creation of dance drama Sailing of Red Boat,suggesting that this drama inherits traditional approaches of dance drama creation with innovative and unique language and image of dance drama.The conclusion is made that Sailing of Red Boat is a significant experiment in inheriting and developing Chinese dance drama.
出处
《北京舞蹈学院学报》
北大核心
2011年第4期20-23,共4页
Journal of Beijing Dance Academy
