论南宋山水画风的误读与传承

On the Misreading and Heritage of Landscape Painting Style of the Southern Song Dynasty

以南宋四家为代表的院体山水画在南宋画坛上曾起到醒人耳目、标领时风的作用,但入元以后,此派的传薪者并不很多。我们从留存的画作和理论中可以看到,元代的绘画及理论与南宋院体存在着截然断裂的剧烈变化。尽管在宋末元初的江南地区并没有完全失去南宋马、夏"院体市场",但其影响力远远不如从前,这不是巧合,而是各种历史因素相互影响后产生的结果。

The imperial-court decorative landscape paintings of the South Song Dynasty,which were represented by the four masters of this period,had the refreshing awaking and stantard style that brought influence to this period.However,this style group didn＇t have many successors in the Yuan Dynasty.We can see this great changement in the remaining paintings and recordings.Though the artistic market in the South China at the end of the Song Dynasty and the beginning of the Yuan Dynasty didn＇t lose customers,the influence of the style of paintings became more and more feeble.This was caused by various factors,and it was not coincidental.