摘要
原生态音乐的研究视角往往基于民族音乐学或音乐人类学,但实际上原生态音乐自90年代开始,已经广泛地用于流行音乐中,尤其是近些年以世界音乐的形式呈现在国际舞台上。因为原生态音乐已经不可避免地进入了文化产业,所以从音乐社会学的角度来探讨原生态音乐的流行性不仅有助于原生态音乐的保护,同时也懂得其不断变化的发展性。原生态音乐所代表的传统和流行音乐所代表的现代之间没有绝对的矛盾,原生态音乐和流行音乐之间的重叠证明了文化的融合性,以及社会发展对于音乐发展的影响力。
Research on original ecological music is normally from the angle of ethnomusicology or music anthropology,but in fact,since the 1990s,original ecological music has been widely used within modern popular music,especially in recent years where it has been presented as world music to the international audiences.Because original ecological music has inevitably become a product of the cultural industry,to discuss its popularity will help protect original ecological music,and understand its unstoppable development.There is no absolute contradiction between tradition presented by original ecological music and modernity presented by popular music.The overlap between two of them demonstrates the fusion of different types of music,and the impact of social development in music.
出处
《原生态民族文化学刊》
2011年第4期93-100,共8页
Journal of Ethnic Culture
关键词
音乐社会学
原生态音乐
流行音乐
music-sociology
original ecological music
popular music