生态女性主义视野中女性形象的嬗变

Self,Society and Nature:The Evolution of Women Image from Ecological Feminist Perspective

如果把整个生态圈比做"生命之网",语言则是自然与人类社会及其文化之间的症候式节点;源自西方的启蒙的宗旨是确立人对自然的无限的统治权,而灵肉一致的"人的文学"的提出则标示着中国近现代以来的启蒙有着明显的地域意识和身体意识以及个性觉醒后民族国家意识的生长所激发的人类性;但"人的文学"所蕴涵的生命欲望、生命感性、非理性、空间性、韵律感一直是现代中国文学所缺乏的,同时也造成沉默的"他者"———农民大众和不觉悟的妇女;在对启蒙叙事与家园意识的价值冲突与裂变的重估中透视女性形象的嬗变,重释"存天理、灭人欲"的话语生成机制,"以人为本"的生态和谐的文化指向呼唤着生态文明的到来。

If the entire ecosystem can be compared to the ＂web of life＂, the language is the symptomatic node among nature, human society and its culture. Western Enlightenment aims at establishing people＇s unlimited power of control, and ＂people＇s literature＂ is marked in modern China since the Enlightenment has a clear regional consciousness, body awareness and personal awakening consciousness of the nation aroused by human nature. However, there are soul desire, life emotion, irrational feeling, spatial sense, and sense of rhythm deficiencies in modern Chinese literature, which result in the silent ＂other＂ the farmers and women. Analyzing evolution of women image from perspective view of Enlightenment narration and reevaluation of the conflict and fission value, reinterpretation of ＂preserving the nature of human desires,＂ the discourse formation mechanisrd, and ＂people-oriented＂ eco-cultural harmony calls for the arrival of civilization.