期刊文献+

近体诗的成熟与新美学原则的崛起——王昌龄诗学理论与创作实践 被引量:1

The Maturity of "Modern-style Poetry" and the Establishment of New Aesthetic Principle:A Study of WANG Chang-ling's Poetics and Creation Practice
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摘要 盛唐诗人王昌龄的诗歌理论著作《诗格》,在继承前人以"风骨"为核心的古体诗审美原则的同时又有所发展,并且在此基础上提出了以"境"为中心的若干近体诗诗学观念。在从古体诗向近体诗转变的过程当中,确立了新的美学原则——追求诗境,并且他还以自己的创作实践践行着他的诗歌理论,标志着近体诗的成熟。 Shi Ge(The Forms of Poetry) is a renowned book on poetics written by WANG Chang-ling,a key poet in the prime time of the Tang Dynasty.WANG Chang-ling inherited as well as developed the Pre-Tang poetry aesthetic principle with "feng gu(vigor of style)" as the core and came up with several poetic viewpoints for Modern-Style poetry with "jing(poetic context)" as the core.He confirmed the new aesthetic principle of "seeking for poetic context" in the evolution from pre-Tang poetry to modern-style poetry and practiced his own poetics in his poetry creation,marking the maturity of modern-style poetry.
作者 文爽
出处 《安庆师范学院学报(社会科学版)》 2011年第11期27-33,共7页 Journal of Anqing Teachers College(Social Science Edition)
关键词 王昌龄 古体诗 近体诗 风骨 诗境 WANG Chang-ling pre-Tang poetry modern-style poetry feng gu(vigor of style)
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参考文献14

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  • 1[日]弘法大师 原巽,王利器 校.文镜秘府论校注[M]中国社会科学出版社,1983.
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共引文献962

同被引文献6

  • 1王运熙.王昌龄的诗歌理论[J].复旦学报(社会科学版),1989,31(5):22-29. 被引量:13
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  • 4卢盛江.文镜秘府论汇校汇考[M].北京:中华书局,2006.
  • 5傅璇琮.谈王昌龄的《诗格》--一部有争议的书[M]//傅璇琮.唐诗学丛稿.北京:京华出版社,1999:171.
  • 6[日]兴膳宏.王昌龄的创作论[M]//刘伯青,张连第,王鸿珠.日本学者中国文学研究译丛:第5辑.长春:吉林教育出版社,1990:166.

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