摘要
魏晋南北朝时期,尤其是北魏中期的佛教造像中流行一种"秀骨清象"的造像艺术风格。它表现的是当时玄学清谈家所崇尚的道骨风韵,这个时期正是南北朝佛教与玄学融合交流的重要的时期,而佛教造像玄学化的重要标志即佛教造像的"秀骨清象。"
In the period of Jin and Southern and Northern Dynasties,especially in the middle of Northern Wei dynasty,the image art style " Clear Appearance by Drawing" is popular in Buddhist images.It shows the religion charm that metaphysics talker admires,and simultaneously,this period is an important period combining Buddhism in Southern and Northern Dynasties with metaphysics,in which " Clear Appearance by Drawing" is regarded as the important sign of Buddhist images.
出处
《吉林艺术学院学报》
2011年第4期24-26,共3页
Journal of Jilin University of Arts
关键词
秀骨清象
玄学
佛教
佛像
Clear Appearance by Drawing
metaphysics
Buddhism
Buddhist images