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儒道思想对清代阚祯兆草书的影响

The Influence of Confucianism and Taoism on Cursive Calligraphy of Kan Zhenzhao
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摘要 滇中通海草书大法家阚祯兆在进京会试之前,一直遵循儒家崇儒致仕的理想,并将儒家思想外化成典雅沉着、华美畅达的草书艺术风格。他会试落第特别是隐居后崇尚道家,书法风格一变而为洒脱飘逸、平和简静。复出后,其书风愈加体现了一种中正典雅、从容洒脱、雍容华贵、流美畅达的个性追求。 Kan Zhenzhao pursued the Confucian ideal of becoming an official before he went to the capital to take the examination. His calligraphy up to this year was in an externalized - Confucianism cursive style, elegant, profound and magnificent. After failing the examination, especially after his reelusion, he held strong to Taoism and his calligraphy showed a style of free and easy elegance, peace and serenity. Later after he took office again, his cursive writing became poised, stately, and fluent.
作者 戴志
出处 《玉溪师范学院学报》 2011年第2期51-54,共4页 Journal of Yuxi Normal University
关键词 地域文化 草书 Confucianism Taoism local culture cursive calligraphy
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参考文献2

  • 1阚祯兆.通海县志[M].昆明:云南人民出版社,1993:182.
  • 2云南省诗词学会,云南大学中文系.云南历代诗词选注[M].云南人民出版社.2002:346.

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