摘要
滇中通海草书大法家阚祯兆在进京会试之前,一直遵循儒家崇儒致仕的理想,并将儒家思想外化成典雅沉着、华美畅达的草书艺术风格。他会试落第特别是隐居后崇尚道家,书法风格一变而为洒脱飘逸、平和简静。复出后,其书风愈加体现了一种中正典雅、从容洒脱、雍容华贵、流美畅达的个性追求。
Kan Zhenzhao pursued the Confucian ideal of becoming an official before he went to the capital to take the examination. His calligraphy up to this year was in an externalized - Confucianism cursive style, elegant, profound and magnificent. After failing the examination, especially after his reelusion, he held strong to Taoism and his calligraphy showed a style of free and easy elegance, peace and serenity. Later after he took office again, his cursive writing became poised, stately, and fluent.
出处
《玉溪师范学院学报》
2011年第2期51-54,共4页
Journal of Yuxi Normal University
关键词
儒
道
地域文化
草书
Confucianism
Taoism
local culture
cursive calligraphy