摘要
批评与创作的关系探讨历久弥新,德里达以来的解构主义批评以及耶鲁学派的解构批评实践,给这一关系再添新意,不仅仅是哈特曼鲜明的"作为文学的文学批评"观点出世,更表明了一个新颖的批评现象,即解构主义的批评文本呈现出与以往的批评不一样的特征,它不再满足于阐释、评论和屈居于文学文本,它在积极探索着自己的出路,它是一种富于创造性的文本生成。这种创造性的批评文本既作为批评的理论生成,也作为文学的文本生产。
The research on the relationship between criticism and writing never stops and is casted on new light by the deconstructionist criticism of Derrida and of Yale School,especially the concept "literature as literary criticism" put forward by Hartman.As a brand new critical practice,criticism from the perspective of deconstruction,unlike the past ones,takes on new features and is not just subject to literary texts or confined to interpretation as well as comment.It works as a kind of production of original texts,both of critical theories and literary works.
出处
《福建师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2012年第1期75-79,共5页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
解构批评
文学生产
德里达
哈特曼
deconstructionist criticism
literary production
Derrida
Hartman