在马原小说中绽放的“恶之花”——以接受美学为视角

Flowers of Evil in the MA Yuan's Novel——to the Perspective of Reception Aesthetics

从接受美学的角度读马原的小说,就会感觉到他在时时打破读者的审美期待视野,或者情节的发展逆转了读者的阅读期待,造成了审美期待的挫折,或者故事的表象把读者的阅读期待引向真相的对立面,造成了审美期待的悖论,结果往往是对完满和美的毁灭,就如现代派大师波德莱尔笔下的"恶之花"。之所以如此,是因为现代派影响的结果,它能够满足读者们的求新求异心理,也表现了作者对完满和美的追求。

If we read MA Yuan＇s novel from the perspective of reception aesthetics, we can feel that he always breaks the readers＇ aesthetic expectation horizon. Or plot development reverses the reader＇s reading expectation which causes frustration of the aesthetic vision of expectalion. Or story idea leads reader＇s aesthetic vision of expectation to the opposite side of the truth which causes paradox expectation. The result is often destruction of consummate and beauty, as described by modernist master Baudelaire Flowers of Evil. It results from the modernist influence. It can meet the needs of readers＇ novelty related psychology and reflect the author＇s pursuit of consummate and beauty.