“小资”村上与中国大众文化语境

"Petty Bourgeoisie" Murakami and the Context of Chinese Popular Culture

中国大陆的"村上春树热"与中国大众文化的一个独特现象——"小资"紧紧联系在一起。本文力图追溯新世纪以来10年间媒介文化语境中"小资"村上生成的过程,进而反思"小资"村上与中国大众文化独特诉求的内在关联,以及由此引发的"小资"村上对村上文学的误读。"小资"村上与其说是来自于村上文学的本质特征,莫不如说遵循的是中国大众文化的内部逻辑,源自中国文化消费者的消费欲望。

In China,＂Haruki Murakami boom＂ is closely linked with ＂petty bourgeoisie＂,a unique phenomenon of Chinese popular culture.This paper aims at tracing the generation process of ＂petty bourgeoisie＂ Murakami in the context of media culture during the 10 years since the new century,to reflect on the internal relations between ＂petty bourgeoisie＂ Murakami and the unique demands of Chinese popular culture,as well as the consequent misreading of Murakami＇s literature.Therefore,the ＂petty bourgeoisie＂ is not the essential characteristic of Murakami＇s literature;it actually follows the internal logic of Chinese popular culture and consumption desire of Chinese culture consumers.