摘要
北宋后期开始,逐渐形成了一个为宫廷以外新建的楼台室宇写作辞赋的传统,主持修筑者或是自作,或是请人写作。在此前,该类题材通常多用记体文来写作。辞赋文体介入该题材创作,既与王安石推行新政,在科举中废除诗赋考试有关,也与苏轼有意彰显赋体有关。此类辞赋的写作使赋体的交际功能有所增强。而从文体特征而言,楼台室宇类辞赋对同样主题的记体文的写作方式也有所继承;其间顺畅的转换,也可作为宋代文学"破体"风气的一个例证。
since the late Northern Song Dynasty,and gradually formed a new tower for the court room buildings other than writing prose tradition,who presided over construction or self-made,or asked people to write.Previously,multi-purpose in mind such subjects through the body text to the subject matter involved in writing prose style creation,it is not only related with Wang Anshi's new policy,which is abolish the test of ode and poem in the imperial examination,but in connection with Sushi's intention to manifest ode.Such prose writing to the communicative function of Fu has been enhanced.From the stylistic features,the tower room buildings like prose on the same theme in mind body text written in a way has also been inherited,During the transition smooth,but also as the Song Dynasty Literature "broken body" atmosphere of an example.
出处
《山东青年政治学院学报》
2012年第1期131-135,共5页
Journal of Shandong Youth University of Political Science
关键词
楼台室宇赋
苏轼
同题
记体
破体
tower room Yu Fu
Sushi
the same problem
mind body
broken body