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论史蒂芬·桑德海姆的概念音乐剧 被引量:5

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摘要 本文以美国音乐剧著名词曲作家史蒂芬·桑德海姆的"概念音乐剧"为研究对象,阐述了这一概念的定义、起源和发展过程,总结了概念音乐剧理念的主要观点和美学特征,通过对其代表作《伙伴们》音乐风格与结构技巧的个案解读析出了这种音乐剧以"概念"为中心、结构片段化和评论式唱段三种主要特征,继而也指出了其对我国当前音乐剧实践的启示性价值。
作者 尹迪
出处 《南京艺术学院学报(音乐与表演版)》 CSSCI 2011年第4期55-61,共7页 Journal of Nanjing Arts Institute:Music & Performance
基金 2011年中央高校科研专项人文社会科学类项目重庆大学面上项目(编号:CDJSK11073)
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参考文献11

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同被引文献18

  • 1[德]瓦尔特·赫斯.《欧洲现代画派画论》,宗白华译,广西师范大学出版社,2001年版,第188页.
  • 2斯坦尼斯拉夫斯基.《斯坦尼斯拉夫斯基全集》第三卷,郑雪来译,中国电影出版社,1985,第91页.
  • 3Mark Eden Horowitz,Sondheim On Music: Minor Details and Major Decisions, published by Scarecrow Press Inc. ,2010, p. 205.
  • 4Jonanne Gordon,Art isn't eays: The Theatre of Stephen Sondheim, published by Da Capo Press: New York, 1992, p. 14.
  • 5Richard Kislan, The Musical : A Look AT The American Musical Theatre, published by Applause Theatre & Cin- ema Books, 1995,p. 158.
  • 6Richard Kislan, The Musical : A Look AT The American Musical Theatre, published by Applause Theatre & Cin- ema Books, 1995,p. 159.
  • 7Jonanne Gordon,Art isn't eays: The Theatre of Stephen Sondheim, published by Da Capo Press: New York, 1992, p. 11.
  • 8Ethan Mordden, Make Believe : The Broadway Musical in 1920s, published by Oxford University Press, Inc. , 1997, p. 4.
  • 9Geoffrey Block, Enchanted Evenings : The Broadway Musical from Show Boat to Sondheim and LLoyd Webber, published by Oxford University Press, Inc. ,2009, p. 342.
  • 10Jonanne Gordon,Art isn't eays: The Theatre of Stephen Sondheim, published by Da Capo Press: New York, 1992, p. 9.

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