摘要
《关雎》是中国爱情文学萌发和形成时期思想性和艺术性都闪烁着强烈光芒的一首男女恋歌,古老的文化、淳朴的民风、善良的人性和民间肥沃的艺术土壤孕育了《关雎》的美学风格。在艺术上,它以虚写实,用比兴手法和侧面描写的方法集中塑造了美丽的"淑女"形象,具有"不著一字,尽得风流"的含蓄美;在内容上,它是单纯表现"君子"痴心追求"淑女"的爱情颂歌,体现了自我克制、温柔敦厚的中和之美。
GuanJu is a love song between men and women, which is shining on both ideology and arts during the germination and formation period in Chinese love literature history. The ancient culture, the simplicity, goodness of humanity sharpened the aesthetic style of Guanju. On art, it describes the imaginary to express the realism, and , with the method of metaphor and side descript, it carved the beauty image. In this way, the author achieved a kind of implicit beauty without a word. In the terms of content, it is a pure performance of ＂gentleman＂ in pursuit of ＂ lady＂ silly love song, which embodied a kind of self- restrict and neutralized beauty of love.
出处
《泰山学院学报》
2012年第1期50-54,共5页
Journal of Taishan University
