意境论对生态文化的启示

Images and ecological culture

生态文化的主流提倡以一种"生态中心主义"代替"人类中心主义"。大多数学者把"主体性"设为靶子,把超越"主体性"作为终极目标。虽然有人提出了把人与自然的"主体间性"作为生态美学的方向,但是并没有提出如何实践"主体间性"。在生态文化陷入"人类中心主义"与"生态中心主义"之争的胶着状态之际,本文把目光投向能够代表中国美学的核心范畴之一的"意境论",试图分析该范畴在实现生态文化中建立"生态主体性",并从"生态主体性"向"主体间性"转化的可能性。

Ecological aesthetics holds ecological over human egocentricity, though schools usually take subjectivity as the target of the construction, despite sporadic arguments of the distance between nature and man. Therefore, the writer of this paper switches to the images that might represent Chinese aesthetic category, in an attempt to construct the ecological subjectivity and the distance between nature and man.