摘要
中国电影走向世界的进程历经四个不同阶段,总体上"走出去"的步伐显得迟缓,既受制于各个时期特殊的历史境遇,也折射出迥然有别的驱动因素及文化心态。在解放前,中国电影输出海外仅有零散个案;解放后17年,国产电影具有计划经济时代"内向型"特征;在新时期,中国影片频频亮相国际影坛,却陷入"墙内开花墙外香"的处境。抚今追昔,中国电影走向世界的历史机遇和历史担当,已经降临在当代电影人跟前,我们不是应该而是必须有所作为。
The globalization of Chinese films has undergone four phases. The process of globalization, on the whole, has been rather slow, constrained by its different historical contexts, reflecting its respective motivations and cultural psyche. Before 1949, there were only a few individual cases of Chinese-movie export. Between 1949 and 1966, the Chinese movie was characterized by being introverted of the socialist economy. Since the 1980s, the Chinese movie has been internationally popular but nationally unpopular. Now is an historical opportunity as well as an historical mission for Chinese movies to globalize.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2012年第1期14-21,共8页
Journal of Shanghai University(Social Sciences Edition)
基金
上海市第三期重点学科电影学项目(S30103)
关键词
中国电影
走向世界
历史动因
文化心态
Chinese film
globalizing
historical motivation
cultural psyche
