叛逆青春的书写困境与超越——以春树作品中的“坏女孩”形象为例

Writing Dilemma of Rebellious Youth and Its Transcendence

中国"80后"青春文学是在消费文化流行和文化产业融入市场的典型语境中产生的,叛逆青春成为青春文学作家书写的主要内容。春树作为"80后"青春文学的代表性作家,通过"坏女孩"形象的塑造凸显了青春期女孩的欲望奔突和叛逆动荡的特点,也成为其闯入文坛的法宝。然而,春树以青年亚文化的生活方式为依托表达的青春的叛逆,由于仅仅停留在反叛的层面而缺乏必要的精神超越的意图。春树对青春"自在"状态的执迷,不断表达出主体自我的不确定性和生成性而试图使青春永久化的努力。而通过想象性写作以遮蔽生活经验的不足的做法、迎合媒体写作而导致对"存在的勘探"的小说精神的匮乏,彰显了包括春树在内的中国"80后"青春文学作家的写作困境和超越的可能性。

The post-80s youth literature in China emerges in the typical context where consumer culture is popular and cultural industry enters the market and so rebellious youth has become an important content of the rebellious youth writers. As a representative of post-80s rebellious youth writers, Chunshu has shaped the ＂bad-girl＂ image, which has displayed the desire and rebellious feature of young girls and made it possible for Chunshu to enter the literary field. However, Chunshu has expressed the rebellion Of youth based on their sub-culture life style. As the writing just stayed on the level of rebellion and lacked the intention of spiritual transcendence, his indulgence in the carefree state reflects the subject＇s uncertainty and their effort to make youth permanent. The writing of the post-80s youth writers including Chunshu has manifested their writing dilemma and its possibility of transcendence due to their effort to cover their lack of life experience through imaginative writing and cater to the mass media so as to result in insufficiency of exploration into the existence.