20世纪前期中国原创钢琴曲作的美学特征

Aesthetic Features of China's Original Piano Music in the Early 20th Century

20世纪前期中国原创钢琴曲作是中国现代社会的一枝奇葩。本文通过分析20世纪前期不同作曲家的创作情况,指出其美学特征为学自西洋的良好技艺、传统经典的现代转换和海外精华的本土转换。在源于实践,用于实践的创作方式指导下,作曲家创作了很多为时代服务的优秀作品。在五十年的发展历程中,其美学特征的轻重变换反映了中国美学现代性的曲折进程。而其立足本土,面向当代的创作原则,对当代社会主义新文化建设具有借鉴作用。

The paper focuses on China＇s original piano music in the early 20th century,and through an analysis of several musical compositions,it tries to define the aesthetic features in this period as the combination of the composition techniques from the West,modernized rendition of Chinese traditional and classical music,and appropriation of the foreign repertoire.Under the guidelines of coming from practice and into practice,the musicians composed a big repertoire of music with reality concerns.Over the past fifty years,the change of aesthetic sensibilities charts the development of the modernity of Chinese aesthetics,and the tracing of the change will provide illuminations to the current construction of our culture.