利用 改造 创新——从秧歌看延安文艺对民间文艺的创造性转化

Utilization Reconstruction Innovation ——Creative transformation of folk literature and art by Yan'an literature and art from the view of Yangko

"推陈出新"是毛泽东为延安平剧研究院的题词,"中国传统的创造性转化"是美籍华裔学者林毓生提出的概念,二者的精神实质都是强调"批判地继承"与"创造性发展"相结合。延安艺术家们就是在"推陈出新"原则指导下,从利用民间艺术、改造民间艺术到创制出具体鲜明民族特色的新艺术形态,最终实现了对民间艺术资源的"创造性转化"。其中,以对秧歌的利用、改造、创新最具代表性。

＂Innovation＂ was the inscription written by Mao Zedong for Yan＇ an Peking Opera Institution. ＂Chinese tradition＇ s creative transformation＂ was the concept proposed by Lin Yu-sheng, a Chinese-American scholar. The spiritual essence of both strerses the combination of ＂the critical inheritation＂ and ＂the creative development＂. With the guidance of the principle of the ＂innovation＂, the artists in Yan＇ an utilized and transformed the folk art initially. And then, they created the new art form with the characteristics of being specific, being distinctive and being ethnic. Ultimately, the resources of folk art were transformed creatively. The process of Yangko＇ s utilization, transformation and innovation is the most representative among them.