摘要
在叶芝的《苍鹭蛋》中,苍鹭没有直接出场,却至始至终笼罩着整个剧本,既决定着人物的命运,也推动着情节的发展。论文认为它是神圣大自然的象征,是英国统治者的象征,是与人结合的神的象征,是特定时代伦理标准的象征,同时还是艺术创作缪斯的象征。苍鹭多重隐喻的形成与作品材料的多重来源和互文性的创作特色、多种戏剧体裁和氛围的杂糅、象征主义的创作方法等有密切的关系。
In Yeats"" the Heme's Egg" , the herne does not directly appear, but has enveloped the entire play from the beginning to the end. It not only determines the fate of characters, but also promotes the development of the plot. The author thought that he is a symbol of divine nature, a symbol of the British rulers, the symbol of God who combined with the human beings, the sym- bol of ethical standards of a particular era, and a symbol of Muse of artistic creation. The formation of multiple metaphor of Herne is closely related to the multiple sources of playing material and the creation features of intertextuality, the hybridity of a variety of theatrical genres and atmosphere, the creative methods of symbolism, etc.
出处
《贵州师范大学学报(社会科学版)》
2012年第1期101-105,共5页
Journal of Guizhou Normal University(Social Sciences)
基金
贵州省哲学社会科学规划2011年度课题"叶芝戏剧研究"(11GZYB19)阶段性成果
关键词
叶芝
《苍鹭蛋》
互文性
杂糅性
象征性
W. B. Yeats
the Herne's Egg
intertextuality
hybridity
symbolic