论岛崎藤村的自然观

Shimazakitoson's Concept of Nature

岛崎藤村的自然观由外在自然和内在自然两部分组成。影响他的外在自然观的,既有东方的传统,也有西方的思潮。在东西方自然观的共同作用下,岛崎藤村取得了诗歌时期的辉煌成就。拉斯丁的绘画理论使他学会了观察自然和练习写生,并结出了《千曲川素描》这样的硕果。通过观察身边的社会和人事,藤村开始把人作为自然的一部分来对待,进而把人的内在也视为自然的一部分。晚年的藤村对东西方文明进行了重新思考和定位,自然观也因此发生了重大变化。他在《黎明前》中重新关注"大的自然",提出了"回到自然去"的理想。

Shimazakitoson＇s concept of nature focuses on both external nature and internal nature. Caught between Eastern tradition and Western influence, Shimazakitoson made remarkable achievements in poetry, producing such a great poem as Chikuma＇s Sketch. From his observation of the society and people around him, Shimazakitoson takes man and man＇s internal world as part of nature. In his old age, Shimazakitoson rethinks and relocates Eastern and Western civilizations, resulting in the change of his concept of nature. He talks about ＂a big nature＂ in his Yoakemae and advocates ＂going back to nature＂.