摘要
以《黄河大合唱》为例,分别对其结构、创新性以及共通性进行论述,同时对其文化内涵进行阐释,以其对以后的音乐创作、音乐表演提供理论上的有力支撑。
With the Yellow River Cantata as an example, its structure, innovation and generalization are discussed. At the same time, its cultural connotation is interpreted,which provide a strong theoretical support to his subsequent music creation, music performance.
出处
《商洛学院学报》
2012年第1期73-75,共3页
Journal of Shangluo University
关键词
红色经典
音乐
文化
red classics
music
culture