论宋词中“功用性亭”意象的抒情内涵及其艺术营构

On the Lyrical Connotation and Art Construction of Functional Pavilion's Imagery in Song Ci

"亭"是中国古代建筑中具有独特风格与功能的建筑形式,它凝缩了我国古代园林建筑中形式美的精华,集实用价值与观赏性能于一体,因而与文学有着密切的关系。在长期的文学实践中,"亭"逐渐变成一种具有独特文化内涵与象征意义的意象。宋代词人频繁地以"功用性亭"意象入词,并以之为核心载体,巧妙灵活地组合诸多传统意象,或写离别之痛,或诉相思之苦,或抒羁旅思乡之愁,或道行人不归之怨,营构出了种种凄婉动人的词境,展示出了丰富的悲剧美学内涵,从而使宋词更具感人的艺术魅力。

Pavilion, an unique and functional architectural form among ancient Chinese architecture, compresses the form beauty quintessence of Chinese landscape architecture and integrates practicability and beauty. As a resuh, it gets closely related to literature and has gradually developed into an imagery provided with distinctive cultural connotations and symbolic significance during the long history of literary practice. The poets of Song dynasty frequently used ＇the functional pavilion＇as the core carrier in their works, as well as ingeniously combining with various traditional im- ageries to created a variety of racking imageries, such as the pain of parting, the suffering of lovesickness, the sorrow of home-sickness, and the resentment of pedestrians＇non-returning, which expresses affluent tragic aesthetics connota- tions and makes Song Ci possess more moving artistic charm.