摘要
自20世纪50年代起,白盾先生就开始了对《红楼梦》的研究,至今已50余年,形成了自己独立的思想见解和研究体系。以白盾先生的研究著作《红楼梦新评》、《红楼梦研究史论》、《名家解读红楼梦——悟红论稿》、《红楼争鸣二百年》及其相关论文为研究资料和对象,从审美系列主题、原作家与续作家的评价、人物品评、就脂论脂与就程论程等四个方面解读白盾先生在《红楼梦》研究中的审美体系以及所体现的独特意义。
It has been more than fifty years since Bai Dun began his study of The Story of the Stone in 1950s.And he has formed his own ideas and research system.This paper aims at the aesthetic system and the unique significance of Bai Dun's study on The Story of the Stone from four aspects,that is,series of aesthetic themes,the evaluation of the original writer and the sequel,remarks on characters,considering Zhi's remarks as it stands and considering Cheng's remarks as it stands based on Bai Dun's research works such as New Comments on the Story of the Stone,Historical Critics on the Research of the Story of the Stone,Essays of Thoughts on the Story of the Stone——Scholar's Interpretations,Arguments during the Past Two Hundred Years over the Story of the Stone as well as some relevant papers.
出处
《黄山学院学报》
2012年第1期62-66,共5页
Journal of Huangshan University
关键词
白盾
红楼梦
审美序列
脂本
程本
Bai Dun
The Story of the Stone
series of aesthetics
Zhi's remark
Cheng's remark