意境、情韵与神味:林纾散文学的新色彩

Conception,Rhyme and Charm:The New Color of LinShu's Prose Theory

长期以来中国散文学都是以文道、义法为主流,这从根本上规定了散文学的发展方向,限制了审美论的发展。林纾虽然以古文的衣钵继承人自居,但并没有坚守"文道""义法"传统,而是以情性为散文之本,这就使他在散文审美方面取得了前所未有的成绩。其中,"意境"、"情韵"与"神味"三说最具代表性,突出地体现了林纾散文学的诗性特质。它们的出现为散文学增添了一抹新的色彩,也为近现代散文学的发展打开了一条新的通道。散文学领域里提出"意境"、"情韵"、"神味"诸说,对于源于诗国的这些美学范畴,也是一种丰富和发展。

WenDao and YiFa had been the mainstream of Chinese prose theory for a long time,greatly limited the growth of Chinese prose theory.LinShu set himself up as the heir to Chinese traditional prose,but didn＇t cling to the traditions of WenDao.He took feeling as the basis of prose theory and made significant achievements.The most typical protocols among them are the Conception,Rhyme and Charm.The Emergence of them add new color to the prose theory,also they unfold a new path to the development of the modern prose theroy.