摘要
明人谢榛谓"学诗者当如临字之法",指出了学书与学诗的内在关联。而之前,赵孟頫的五言古诗是这种理论在创作实践上的一个实例。钱钟书先生指出赵孟頫的诗歌摹拟痕迹太浓,其失在形;戴表元说他的古诗"沉涵鲍谢",其得在似。赵孟頫五言古诗的一个显著特点是以学书之法学习前人古体诗的做法,实现了从形似向神似的超越,形成了"沉涵鲍谢"美学特征,体现了其书学与诗学相互融通的特点。
Xie Zhen who lived in Ming dynasty said that those who study poetry just like studying calligraphy. That point out the inner relations between eaUigraphy and poetry. Then before that, Zhao Mengfu's Wan Yan ancient poetry is an example of this theory in practice. Mr. Qian Zhong-shu pointed out that his poetry have too strong traces of the simulation that means thereis has some shortcoming in the form. Dai Biao-yuan said his ancient character poetry is between Bao and Xie that means there is some acquisition in the spirit. A striking feature of his poems is that he studies writing poems of ancient-style in the way of stud- ying ancient penmanship and he realizes the surmount from the shape to the spirit in the end, that indicate there are some common attribute between literature and art. As an outstanding writer and artist, he is a good example.
出处
《内蒙古大学学报(哲学社会科学版)》
2012年第1期103-108,共6页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
赵孟頫
五言古诗
书学
诗学
Zhao Meng-fu
Five-words ancient poetry
poem and calligraphy