摘要
身为台湾客籍女诗人的杜潘芳格和利玉芳,以她们在不同世代的文学出发,共同选择了立足于台湾客家乡土的女性言说,创作出台湾客家女性诗歌的典型文本。透过植根于岛屿的"女人树"情思,重在发掘诗人对生命意识的独特表达方式;借客家女人的"含笑花"形象,意在表现诗人对客家婚姻世相的描摹和反思;强调女人诗眼的观察,是为凸显客家乡土的生态忧思与觉醒姿态。钟情于女性生理特征的生命意象和植物花草意象的营造,带来杜潘芳格、利玉芳客家女性诗歌的独特韵味。
Female poets Du Pan Fang-ge and Li Yu-fang are both natives of Hakka Taiwan. Though they come from different generations they made the same choice to write from the perspective of local Hakka women, thus producing what has come to be known as typical texts for such literature. By reflecting on " Women Trees" rooted in Taiwan ideology, this paper focuses on exploring the u- nique expressions of the poets" life consciousness; by borrowing the image of " Smiling Flowers" for Hakka women, the author tries to represent the poets" de- scription of and reflections on Hakka marriage; by emphasizing the poets" obser- vations through the eyes of women, it is intended to highlight the ecological sor- rows and awakening awareness of the Hakka rural society. The life images and plant images reflecting women's physical characteristics result in the unique flavor of Du Pan Fang-ge's and Li Yu-fang's poetry.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2012年第1期114-119,共6页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
台湾客籍诗人
女性诗歌言说
生命意识
婚姻世相
生态忧思
Hakka poets in Taiwan
female poetic expression
life con-sciousness
marriage
ecological sorrows