摘要
明末清初,西方透视学被传教士引入中国。受此风影响,当时的画家们尝试将西方透视表现方法与传统界画表现方法结合起来,为了描绘出更为逼真写实的建筑、园林、都市、家具古玩等对象,他们在创作中加强了对物体的体感、层次和纵深空间的刻画,使得这一时期作品在视点、视域、视角以及取景方式等方面呈现出与以往界画不同的面貌。由此,清代宫廷界画创作在"西风"的影响下逐渐形成了中西合璧的绘画风格。
In the late Ming Dynasty and early Qing Dynasty western perspective was introduced into China by missionaries.The then drawers tried to combine western and traditional Chinese methods in order to better portray architecture,gardens,cities,furniture and antiquities.It is assumed that the combination as adopted by the Qing Dynasty imperial court＇s drawers gave birth to a unique drawing style.
关键词
西方透视学
影响
界画
透视表现
western perspective
influence
boundary drawing
perspective expression
