影像的传达与表现——白南准艺术论析

The Communication and Presentation of Videos——On Nam June Paik's Art

本文主要以现代观念艺术中的影像艺术的开创人白南准为研究对象,分析他与激浪派的关系和相互间的影响,以及激浪派在白南准的艺术中所起到的作用;分别以白南准的活体雕塑作品和电视影像作品为例,探讨了白南准艺术作品的美学意义和其具有的时代特征,从而得出白南准作为一个当代世界级的艺术家为艺术走向多元化、观念化所起到的重要推动作用。

This paper, a study of Nam June Paik, father of the video art, one of the contemporary conceptual arts, presents an analysis of how his art was related to Fluxism, what impact they had on one another, and what role Fluxus played in his art. Using Nam June Paik＇s living sculpture and video works as examples, it investigates into the aesthetic values of his art, illustrates the imprints of his times, and reveals the great role he played as one of the world＇ s top artists in ushering in a diversified and conceptualized world of arts.